Stan Brakhage

"James Stanley Brakhage"

Nacido el 14 de enero de 1933, (Kansas City - Missouri -Estados Unidos)

Muerte: 9 de marzo 2003, Victoria, BC

Director... guionista... productor... director de fotografía... editor... actor... cineasta independiente...

"Garden Path" - (2001)

con: Mary Beth Reed

 Creador de cientos de películas experimentales únicas, considerado una figura destacada del cine experimental americano.  El objetivo Brakhage en sus películas era liberar el acto de ver de las limitaciones de la representación y la expectativa. Utilizó una variedad de métodos, la creación de películas que van en longitud de unos pocos segundos hasta varias horas y mostraron visiones que van desde los producidos por la fotografía a los realizados por pegar objetos para el celuloide y el rascado y la pintura del celuloide. También enseñó en la Escuela de cine del Art Institute de Chicago (1969-81) y en la Universidad de Colorado en Boulder (1981-2002). Su mejor película más conocida, Dog Star Man (1964), es considerada una obra clave de la vanguardia americana.

Fuentes:

. * Fred Campber - Filmreference

Filmografía:

1950
Año: Titulo - Formato - Longitud - Notas
1952: Interim - 16mm - 25 ½ minutes - Black & white. Features music by James Tenney.
1953: The Boy and the Sea - 16mm - 2 minutes - Black & white.
1953: Unglassed Windows Cast a Terrible Reflection - 16mm - 29 minutes - Black & white.
1954: Desistfilm - 16mm - 7 minutes - Black & white, sound.
1954: The Extraordinary Child - 16mm - 13 minutes - Black & white.
1954: The Way to Shadow Garden - 16mm - 11 ½ minutes Black & white, sound.
1955: In Between - 16mm - 10 ½ minutes First color film. Features music by John Cage
1955: Reflections on Black - 16mm - 12 minutes Black & white, sound.
1955: Untitled film of Geoffrey Holder’s Wedding - 16mm - Unknown co-directed with Larry Jordan.
1955: The Wonder Ring - 16mm - 6 minutes.
1955/1956: Gnir Rednow - 16mm 6 minutes - Co-directed with Joseph Cornell.
1955/1956: Centuries of June - 16mm - 6 minutes Co-directed with Joseph Cornell. Also known as Tower House, Bolts of Melody, Portrait of June, and June.
1956: Flesh of Morning - 16mm - 22 minutes Black & white, sound. Revised by Brakhage in 1986.
1956: Nightcats - 16mm - 8 minutes.
1956: Zone Moment - 16mm - 3 minutes.
1957: Daybreak and Whiteye - 16mm - 8 minutes Black & white, sound.
1957: Loving - 16mm - 5 minutes
1958: Anticipation of the Night - 16mm - 40 minutes.
1959: Cat's Cradle - 16mm - 6 minutes.
1959: Sirius Remembered - 16mm - 11 minutes.
1959: Wedlock House: An Intercourse - 16mm - 11 minutes - Black & white.
1959: Window Water Baby Moving - 16mm - 12 minutes.

Comerciales y películas industriales

Durante la década de 1950, Brakhage, trabajó en varias películas industriales, muchos de ellos en la ciudad de Pittsburgh

1960
Año: Titulo - Formato - Longitud - Notas
1960: The Dead - 16mm - 11 minutes.
1961: Thigh Line Lyre Triangular - 16mm - 6 minutes.
1961: Films by Stan Brakhage: An Avant-Garde Home Movie - 16mm - 4 minutes.
1961: Dog Star Man: Prelude - 16mm - 25 minutes Part of Dog Star Man cycle.
1962: Blue Moses - 16mm - 10 minutes - Black & white, sound.
1962: Silent Sound Sense Stars Subotnick and Sender - 16mm - 2 minutes Black & white, sound.
1962 or 1963: Sartre's Nausea Unknown - 4 minutes - Title is a reference to Nausea by Jean-Paul Sartre.
1962: Dog Star Man: Part 1 16mm 31 minutes Part of Dog Star Man cycle.
1963 Mothlight - 16mm - 3 minutes.
1963 Oh Life - a Woe Story - The A-Test News - 16mm - 6 minutes Black & white.
1963: Dog Star Man: Part 2 - 16mm - 6 minutes - Part of Dog Star Man cycle.
1964: Dog Star Man: Part 3 - 16mm - 8 minutes - Part of Dog Star Man cycle.
1964: Dog Star Man: Part 4 - 16mm - 6 minutes - Part of Dog Star Man cycle.
1964: Song 1 - 8mm - 3 minutes - Part of Songs cycle.
1964: Song 2 & Song 3 - 8mm - 4 1/2 minutes - Part of Songs cycle.
1964: Song 4 - 8mm - 3 minutes - Part of Songs cycle.
1964: Song 5 - 8mm 4 1/2 minutes Part of Songs cycle.
1964: Song 6 & Song 7 - 8mm - 4 1/2 minutes - Part of Songs cycle.
1964: Song 8 8mm 3 1/2 minutes Part of Songs cycle.
1965: The Art of Vision - 16mm - 270 minutes - Expanded version of the Dog Star Man cycle, using the same footage.
1965: Black Vision - 16mm - 3 minutes - Black & white.
1965: Fire of Waters - 16mm - 7 minutes - Black & white, sound.
1965: Pasht - 16mm - 5 minutes
1965: Three Films: Blue White, Blood’s Tone, Vein - 16mm - 9 minutes.
1965: Two: Creeley/McClure - 16mm - 3 minutes.
1965: The Female Mystique and Spare Leaves (For Gordon) - 16mm - 5 minutes.
1965: Song 9 & Song 10 - 8mm - 7 minutes - Part of Songs cycle.
1965: Song 11 - 8mm - 3 minutes - Part of Songs cycle.
1965: Song 12 - 8mm - 3 minutes - Part of Songs cycle.
1965: Song 13 - 8mm - 3 minutes - Part of Songs cycle.
1965: Song 14 - 8mm - 3 minutes - Part of Songs cycle.
1965: 15 Song Traits - 8mm - 38 1/2 minutes - Part of Songs cycle.
1965: Song 16 8mm 7 minutes Part of Songs cycle.
1965: Songs 17 & 18 - 8mm - 5 minutes Part of Songs cycle.
1965: Songs 19 & 20 - 8mm - 8 minutes Part of Songs cycle.
1965: Songs 21 & 22 - 8mm - 6 minutes Part of Songs cycle.
1966/1967: 23rd Psalm Branch - 8mm - 69 minutes Part of Songs cycle. Brakhage later released the film as two black & white halves under the names 23rd Psalm Branch: Part 1 (1979) and 23rd Psalm Branch: Part 2 (1980).
1967: Scenes from Under Childhood (Section One) - 16mm - 24 1/2 minutes Part of Scenes from Under Childhood cycle. Available in versions with and without sound.
1967: Eye Myth - 16mm / 35mm - 9 seconds.
1968: The Horseman, the Woman, and the Moth - 16mm - 19 minutes.
1968: Lovemaking - 16mm - 36 minutes.
1968: Songs 24 & 25 - 8mm - 6 1/2 minutes - Part of Songs cycle. Reissued in 16mm in 1984.
1968: Song 26 - 8mm - 8 minutes - Part of Songs cycle. Reissued in 16mm in 1984.
1968: My Mtn. Song 27 - 8mm - 8 minutes - Part of Songs cycle. Reissued in a 20 minute-version on 16mm in 1987.
1969: Song 27 (Part II) Rivers - 8mm - 26 minutes - Part of Songs cycle. Reissued on 16mm in 1988.
1969: Song 28 - 8mm - 3 minutes - Part of Songs cycle. Reissued on 16mm in 1985.
1969: Song 29 - 8mm - 3 minutes Part of Songs cycle. Reissued on 16mm in 1985.
1969: American 30's Song - 8mm - 35 minutes Part of Songs cycle. Running time given is for 18 frames per second.
1969: Window Suite of Children’s Songs - 8mm - 24 minutes Part of Songs cycle.
1969: Scenes from Under Childhood (Section Two) - 16mm - 40 minutes Part of Scenes from Under Childhood cycle.
1969: Scenes from Under Childhood (Section Three) - 16mm - 25 minutes Part of Scenes from Under Childhood cycle.

Industrial películas y otras obras de la época

En la década de 1960, Brakhage dirigido varias películas industriales y educativas, incluyendo dos para el estado de Colorado. También ha dirigido anuncios para el Desarrollo Rural Eléctrica de Dakota. En 1969, Brakhage sirvió como director de fotografía en el cortometraje Nuptiae, dirigida por James Broughton.
1970
Año: Titulo - Formato - Longitud - Notas
1970: Scenes from Under Childhood (Section Four) 16mm 45 minutes Part of Scenes from Under Childhood cycle.
1970: The Weir-Falcon Saga - 16mm - 29 minutes.
1970: The Machine of Eden - 16mm - 11 1/2 minutes.
1970: Animals of Eden and After - 16mm - 35 minutes.
1970: Sexual Meditation #1: Motel - 8mm - 6 minutes Running time is for 18 frames per second. Part of Sexual Meditations cycle.
1971: eyes - 16mm - 35 minutes Part of the "Pittsburgh Trilogy."
1971: Deus Ex - 16mm - 33 minutes Part of the "Pittsburgh Trilogy."
1971: The Act of Seeing with One's Own Eyes - 16mm - 32 minutes Part of the "Pittsburgh Trilogy."
1971: Wecht - 16mm - 3 minutes.
1971: Angels' - 16mm - 2 minutes.
1971: Fox Fire Child Watch - 16mm - 3 minutes.
1971: The Peaceable Kingdom - 16mm - 8 minutes.
1971: Western History - 16mm - 8 minutes.
1971: The Trip to Door - 16mm - 12 1/2 minutes.
1971: Sexual Meditation: Room with View - 16mm - 4 minutes Part of Sexual Meditations cycle.
1972: The Presence - 16mm - 3 1/2 minutes.
1972: Eye Myth Educational - 16mm - 2 minutes Uses footage from Eye Myth.
1972: Sexual Meditation: Faun's Room, Yale - 16mm - 3 minutes Part of Sexual Meditations cycle.
1972: Sexual Meditation: Office Suite - 16mm - 4 minutes - Part of Sexual Meditations cycle.
1972: Sexual Meditation: Hotel - 16mm - 6 1/2 minutes Part of Sexual Meditations cycle.
1972: Sexual Meditation: Open Field - 16mm - 6 minutes Part of Sexual Meditations cycle.
1972: The Process - 16mm - 9 minutes.
1972: The Riddle of Lumen - 16mm - 13 minutes.
1972: The Shores of Phos: A Fable - 16mm - 10 minutes.
1972: The Wold-Shadow - 16mm - 2 1/2 minutes.
1973: Gift - Super 8mm - 3 minutes.
1973: The Women - 16mm - 3 1/2 minutes.
1973: Sincerity I - 16mm - 27 minutes - Part of Sincerity cycle.
1974: Aquarien - 16mm - 3 minutes.
1974: Clancy - 16mm - 4 1/2 minutes.
1974: Dominion - 16mm 4 minutes.
1974: Flight - 16mm - 5 1/2 minutes.
1974: "He was born, he suffered, he died" - 16mm - 7 1/2 minutes.
1974: Hymn to Her - 16mm - 2 1/2 minutes.
1974: Skein - 16mm - 5 minutes.
1974: Sol - 16mm - 4 minutes.
1974: Star Garden - 16mm - 22 minutes.
1974: The Text of Light - 16mm - 71 minutes.
1974: The Stars are Beautiful - 16mm - 19 minutes.
1975: Short Films: 1975 - 16mm - 38 minutes A collection of ten works ranging from 2 1/2 to 6 minutes in length that Brakhage distributed as a single piece.
1975: Sincerity II - 16mm - 38 minutes - Part of Sincerity cycle.
1976: Gadflies - Super 8mm - 12 1/2 minutes - 18 frames per second.
1976: Sketches - Super 8mm - 9 minutes - 18 frames per second.
1976: Window - Super 8mm / 16mm - 10 1/2 minutes -18 frames per second.
1976: Trio Super 8mm / 16mm - 6 1/2 minutes 18 frames per second.
1976: Rembrandt, Etc., and Jane Super 8mm / 16mm - 17 1/2 minutes - 18 frames per second.
1976: Desert - Super 8mm / 16mm - 11 minutes - 18 frames per second.
1976: Highs - Super 8mm / 16mm - 7 minutes - 18 frames per second.
1976: Airs - Super 8mm / 16mm - 24 minutes - 18 frames per second.
1976: Absence - Super 8mm / 16mm 8 minutes - 18 frames per second.
1976: The Dream, NYC, The Return, The Flower - Super 8mm / 16mm - 24 1/2 minutes - 18 frames per second.
1976: Tragoedia - 16mm - 35 minutes.
1977: The Domain of the Moment - 16mm - 15 1/2 minutes.
1977: The Governor - 16mm - 57 1/2 minutes.
1977: Soldiers and Other Cosmic Objects 16mm 22 minutes.
1978: Bird - 16mm - 4 minutes.
1978: Burial Path - 16mm - 15 minutes - 18 frames per second.
1978: Centre - 16mm - 13 minutes - 18 frames per second.
1978: Nightmare Series - 16mm - 20 minutes.
1978: Purity and After 16mm 5 minutes 18 frames per second.
1978: Sluice - 16mm - 6 minutes - 18 frames per second.
1978: Duplicity I - 16mm - 23 minutes - Part of Duplicity cycle.
1978: Duplicity II - 16mm - 20 minutes - Part of Duplicity cycle.
1978: Thot-Fal’N - 16mm - 9 minutes - 18 frames per second.
1978: Sincerity III - 16mm - 35 minutes - Part of Sincerity cycle.
1979: @ - 16mm - 6 minutes - 18 frames per second.
1979: Creation - 16mm -17 minutes - 18 frames per second.
1979: I - 16mm - 6 minutes - 18 frames per second. Part of the "Roman Numeral Series", also called the "Romans."
1979: II - 16mm - 9 minutes - 18 frames per second. Part of the "Roman Numeral Series", also called the "Romans."
1979: III - 16mm - 2 minutes - 18 frames per second. Part of the "Roman Numeral Series", also called the "Romans."
1979: IV - 16mm - 2 minutes - 18 frames per second. Part of the "Roman Numeral Series", also called the "Romans."
1979: V - 16mm - 3 minutes - 18 frames per second. Part of the "Roman Numeral Series", also called the "Romans."

Otros desaparecidos y obras de la época

Alrededor de 1979, Brakhage producido tantos como cinco películas utilizando la Polavision desarrollada por Polaroid. Estas películas se estima que tendría unos 2 1 / 2 minutos de duración. Su paradero actual se desconoce.
1980
Año: Titulo - Formato - Longitud - Notas
Year Title Format Length Notes
1980: VI - 16mm - 10 minutes - 18 frames per second. Part of the "Roman Numeral Series," also called the "Romans."
1980: VII - 16mm - 5 minutes - 18 frames per second. Part of the "Roman Numeral Series," also called the "Romans."
1981: 1 - 16mm - 5 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 2 - 16mm - 7 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 3 - 16mm - 10 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1980: Made Manifest - 16mm - 12 minutes.
1980: Other - 16mm - 3 minutes - 18 frames per second.
1980: Salome - 16mm - 3 minutes - 18 frames per second.
1980: Sincerity IV - 16mm - 37 minutes Part of Sincerity cycle.
1980: Sincerity V - 16mm - 35 minutes Part of Sincerity cycle.
1980: Duplicity III - 16mm - 23 1/2 minutes Part of Duplicity cycle.
1980: Murder Psalm - 16mm - 18 minutes.
1981: VIII - 16mm - 4 minutes - 18 frames per second. Part of the "Roman Numeral Series," also called the "Romans."
1981: IX - 16mm - 2 minutes - 18 frames per second. Part of the "Roman Numeral Series," also called the "Romans."
1981: Aftermath - 16mm - 8 minutes.
1981: The Garden of Earthly Delights - 16mm / 35mm - 1 1/2 minutes.
1981: Nodes - 16mm - 3 minutes.
1981: RR - 16mm - 8 minutes.
1981: Unconscious London Strata - 16mm - 22 minutes.
1981: 4 - 16mm - 10 minutes 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 5 - 16mm - 5 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 6 - 16mm 11 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 7 - 16mm - 11 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 8 - 16mm - 7 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 9 - 16mm - 12 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 0 + 10 - 16mm - 27 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 11 - 16mm - 10 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 12 - 16mm - 27 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1981: 13 - 16mm - 5 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 14 - 16mm - 5 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 15 - 16mm - 7 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 16 - 16mm - 8 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 17 - 16mm - 8 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 18 - 16mm - 8 1/2 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1982: 19 - 16mm - 9 minutes - 18 frames per second. Part of the "Arabic Numeral Series," also called the "Arabics."
1983: Hell Spirit Flexion - 16mm / 35mm - 1 minute.
1984: Egyptian Series - 16mm - 17 minutes.
1984: Tortured Dust Part One - 16mm - 23 minutes.
1984: Tortured Dust Part Two - 16mm - 21 1/2 minutes.
1984: Tortured Dust Part Three - 16mm - 24 1/2 minutes.
1984: Tortured Dust Part Four - 16mm - 24 1/2 minutes.
1985: Jane - 16mm - 13 minutes.
1986: Fireloop - 16mm - 3 minutes Sound. Later included as part of Caswallon Trilogy.
1986: Confession - 16mm - 27 minutes - Also known as Love Sacrifice.
1986: The Loom - 16mm - 43 1/2minutes - Also known as Love Sacrifice.
1986: Night Music - 16mm / 35mm - 30 seconds - Part of Three Hand-Painted Films.
1987: Loud Visual Noises - 16mm - 3 1/2 minutes - Available in a silent version and a sound version with music by Die Tödliche Doris, Zoviet France, The Hafler Trio, Nurse With Wound, Joel Haertling, and I.H.T.S.O..
1987: The Dante Quartet - 16mm / 35mm - 6 minutes.
1987: Kindering - 16mm - 3 minutes - Sound.
1988: Faustfilm: An Opera, Part 1 - 16mm - 43 1/2 minutes Sound. Part of the Faustfilm project.
1988: I...Dreaming - 16mm - 7 minutes - Sound.
1988: Marilyn's Window - 16mm - 9 minutes - Title refers to Brakhage's wife, Marilyn Brakhage.
1988: Matins - 16mm - 2 1/2 minutes.
1988: Rage Net 16mm / 35mm - 1 minute - Part of Three Hand-Painted Films.
1988: Faust's Other: An Idyll - 16mm - 44 1/2 minutes Sound. Part of the Faustfilm project.
1988: Faust 3: Candida Arbacore - 16mm - 27 minutes - Sound. Part of the Faustfilm project.
1988: Faust IV - 16mm - 38 1/2 minutes - Sound. Part of the Faustfilm project.
1989: Visions in Meditation - 16mm - 17 1/2 minutes - Part of the Visions in Meditation cycle.
1989: Visions in Meditation #2 - 16mm - 17 minutes - Part of the Visions in Meditation cycle.
1989: Babylon Series #1 - 16mm - 6 minutes.

1990
Año: Titulo - Formato - Longitud - Notas
1990: Visions in Meditation #3 16mm 18 minutes Part of the Visions in Meditation cycle. Subtitled "Plato's Cave."
1990: Visions in Meditation #4 - 16mm - 19 minutes Part of the Visions in Meditation cycle. Subtitled "D.H. Lawrence."
1990: Babylon Series #2 - 16mm - 2 minutes.
1990: Babylon Series #3 - 16mm - 6 minutes.
1990: City Streaming #2 - 16mm - 19 1/2 minutes.
1990: The Thatch of Night - 16mm - 5 minutes.
1990: Vision of the Fire Tree - 16mm - 5 minutes.
1990: Passage Through: A Ritual - 16mm - 49 minutes Sound. (music by Philip Corner)
1990: Glaze of Cathexis - 16mm - 3 minutes - Part of Three Hand-painted Films.
1991: Agnus Dei Kinder Synapse - 16mm - 4 minutes
1991: A Child’s Garden and the Serious Sea - 16mm - 74 minutes - One of the "Vancouver Island films."
1991: Christ Mass Sex Dance - 16mm - 4 minutes Sound.
1991: Delicacies of Molten Horror Synapse - 16mm - 8 minutes.
1992: Crack Glass Euology - 16mm - 6 minutes - Sound.
1992: Interpolations 1 - 5 - 35mm - 12 minutes.
1992: Untitled (For Marilyn) - 16mm - 11 minutes The film is officially untitled, but is referred to by the dedication that appears in place of a title card. It is dedicated to Marilyn Brakhage, the filmmaker's wife.
1993: Boulder Blues and Pearls and . . . 16mm - 23 1/2 minutes - Sound.
1993: Blossom Gift Favor - 16mm - 2 minutes.
1993: Autumnal -16mm - 5 minutes.
1993: Ephemeral Solidity - 16mm - 4 1/2 minutes.
1993: The Harrowing - 16mm - 2 minutes.
1993: Tryst Haunt - 16mm - 3 minutes.
1993: Stellar - 16mm - 2 1/2 minutes.
1993: Study in Color and Black & White - 16mm - 2 minutes.
1993: Three Homerics: Diana Holding Back the Night, The Rolling Sea, and Love Again - 16mm - 6 minutes.
1994: Black Ice - 16mm - 6 minutes.
1994: Cannot Exist - 16mm - 1 minute.
1994: Cannot Not Exist - 16mm - 8 minutes.
1994: Chartres Series - 16mm - 8 1/2 minutes.
1994: Elementrary Phrases - 16mm - 34 1/2 minutes - Made in collaboration with Phil Solomon.
1994: First Hymn to the Night — Novalis 16mm - 35 1/2 minutes.
1994: The Mammals of Victoria - 16mm - 34 1/2 minutes - One of the "Vancouver Island films."
1994: Naughts - 16mm - 6 minutes
1995: I Take These Truths - 16mm - 18 minutes.
1995: We Hold These - 16mm - 12 minutes.
1995: I... - 16mm - 27 minutes.
1995: In Consideration of Pompeii - 16mm - 4 1/2 minutes - 18 frames per second.
1995: Paranoia Corridor - 16mm - 3 1/2 minutes.
1995: The "b" Series - 16mm - 12 1/2 minutes.
1995: Earthen Aerie - 16mm - 3 minutes.
1995: The Lost Films - 16mm - 45 minutes - Made of nine untitled films completed in 1991 and 1992.
1995: Spring Cycle - 16mm - 11 minutes.
1995: ...Preludes 1-6 16mm - 11 1/2 minutes.
1995: ...Preludes 7-12 - 16mm - 16 1/2 minutes.
1996: ...Preludes 13-18 - 16mm - 10 minutes.
1996: ...Preludes 19-24 - 16mm - 10 minutes.
1996: Beautiful Funerals - 16mm 2 minutes.
1996: Blue Value - 16mm - 3 minutes.
1996: Concrescence - 16mm - 4 minutes Made in collaboration with Phil Solomon.
1996: The Fur of Home - 16mm - 3 minutes.
1996: Polite Madness - 16mm - 3 minutes.
1996: Sexual Saga - 16mm - 3 minutes.
1996: Through Wounded Eyes - 16mm - 7 minutes - Made in collaboration with Joel Haertling.
1996: Two Found Objects of Charles Boultenhouse - 16mm - 7 minutes.
1996: Commingled Containers - 16mm - 7 minutes.
1997: Shockingly Hot - 16mm - 4 minutes.
1997: The Cat of the Worm’s Green Realm - 16mm - 15 1/2 minutes.
1997: Last Hymn to the Night — Novalis - 16mm - 19 minutes.
1997: Divertimento - 16mm - 2 1/2 minutes.
1997: Self Song & Death Song - 16mm - 4 1/2 minutes.
1997: Yggdrasill: Whose Roots Are Stars in the Human Mind - 16mm - 17 minutes.
1998: ... 16mm - 95 minutes - Also known as Ellipses. Consists of five separate reels, the last of which has sound. According to film critic and Brakhage scholar Fred Camper, the filmmaker "[had] said that it's acceptable to show any number of these in any order".
1999: The Birds of Paradise - 16mm - 3 minutes.
1999: Coupling - 16mm - 5 minutes.
1999: Cloud Chamber - 16mm - 4 minutes.
1999: Cricket Requiem - 16mm - 3 minutes.
1999: The Dark Tower - 16mm - 3 minutes.
1999: The Earthsong of the Cricket - 16mm - 3 minutes.
1999: The Lion and the Zebra Make God’s Raw Jewels - 16mm - 8 1/2 minutes.
1999: Moilsome Toilsome - 16mm - 6 minutes.
1999: Stately Mansions Did Decree - 16mm - 5 1/2 minutes.
1999: Worm and Web Love - 16mm - 4 1/2 minutes.
1999: The Persian Series 1-5 - 16mm - 20 minutes.

2000
Año: Titulo - Formato - Longitud - Notas
2000: The Persian Series 6-12 - 16mm - 23 minutes.
2000: The Persian Series 13-18 - 16mm - 9 minutes.
2000: Cornell's Portrait of June - 16mm - 10 minutes - Title is a reference to Joseph Cornell, with whom Brakhage had collaborated in the 1950s.
2000: Dance - 16mm - 6 1/2 minutes - Starring Vivienne Palmer.
2000 The God of Day Had Gone Down Upon Him - 16mm - 49 minutes - One of the "Vancouver Island films."
2000: Water for Maya - 16mm - 3 1/2 minutes.
2000: Jesus Trilogy and Coda - 16mm - 17 minutes.
2001: Rounds - 16mm - 14 minutes.
2001: Garden Path - 16mm - 7 minutes - Made in collaboration with Mary Beth Reed.
2001: Micro Garden - 16mm - 4 minutes.
2001: Night Mulch - 16mm - 2 minutes.
2001: Very - 16mm - 4 minutes.
2001: Micro Garden - 16mm - 4 minutes.
2001: Occam's Thread - 16mm - 6 minutes.
2001: Dark Night of the Soul - 16mm - 3 minutes.
2001: Lovesong - 16mm - 11 minutes - Part of the Lovesongs cycle.
2001: Lovesong 2 - 16mm - 3 minutes - Part of the Lovesongs cycle.
2001: Lovesong 3 - 16mm - 9 minutes - Part of the Lovesongs cycle.
2001: Lovesong 4 - 16mm - 3 minutes - Part of the Lovesongs cycle.
2002: Lovesong - 16mm - 1 minutes - Part of the Lovesongs cycle.
2002: Song of the Mushroom - 16mm - 2 minutes - Made in collaboration with Joel Haertling.
2002: Ascension - 16mm - 2 1/2.
2002: Max - 16mm - 3 minutes.
2002: SB (One Minute for Vienna) - 16mm - 30 seconds.
2002: Seasons... - 16mm - 15 minutes - Made in collaboration with Phil Solomon.
2002: Panels for the Walls of Heaven - 16mm - 31 minutes One of the "Vancouver Island films." The last of Brakhage's longer works.
2003: Stan's Window and Work in Progress - 16mm - 13 minutes - Usually shown together. Stan's Window was the last film Brakhage completed before his death and Work in Progress consists of the last footage he shot.
2003: Chinese Series - 35mm - 2 1/2 minutes Black & white. A project Brakhage was working on at the time of his death. Only printed posthumously.